Oana Avasilichioaei interweaves sound, poetry, performance, and translation to expand and trouble ideas of language, histories, polyphonic structures, and borders of listening. She has created many performance/sound works that mix electronics, ambient textures, noise, and vocal play, published seven collections of poetry hybrids, including Chambersonic (Talonbooks 2024), award-nominated Eight Track (Talonbooks 2019), and Limbinal (Talonbooks 2015), and written a libretto for a one-act opera Cells of Wind (FAWN Chamber Collective, 2022). She is based in Montreal/Tiohtià:ke.